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October 04 REALISM-HYPER http://0ndarossa.spaces.live.com/ http://onderetiche.blogspot.com/ http://groups.google.it/group/ondarossa
Cultural Computing Magazine d 'Art, Love and Anarchy
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Critical Arts Latest News Adventure Anthropology Artists
Contemporaneity of HISTORY in the ART
    Hellenistic Art and Iperrealism
  International bias to the coup d'état http://en.wikipedia.org/wiki/Coup_d'%C3%A9tat  -It may seem far-fetched to compare the Hellenic Art and Photorealism siu but suffice to
say that the distances of time and space are relative, as are for cultures to meet all the
questions that can be pronounced. For example, close to the two images below do not
make conflicts but it also enhances the value, form and function both in terms of aesthetics
  So even these images do have a lot to think about the evolution of art, all inclusive
   Think of a single image and perceived impossible because of the nature of the
phenomenon but it is possible to fix the moments, moments of memory.
 -Culture everything moves and interacts in a complex system in contemporary reality can
be defined with the Internet.
Note: "There is the original place of any movement of art, cultures constantly interact
even in the earliest times. The powers of these sources are only speculative and not at
all cultural and establish a place that can not be fixed, even the hyper realism is dynamic
and will be in figs death do us part. Vincent Sanphilip (Draftsman)"
http://en.wikipedia.org/wiki/Robert_Mapplethorpe http://www.facebook.com/cpoexperia?ref=pymk http://www.bfi.org.uk/whatson/bfi_southbank/film_programme/regular_strands http://www.youtube.com/watch?v=QGPd411gOYA Hyperrealism
realism paintings, truer than life. http://www.artonweb.it/artemoderna/artedopo60/articolo9.htm I più significativi rappresentanti dell'Iperrealismo sono Gerhard Richter, Malcom Morley, Chuck Close, Richard McLean, Ralph Goings, Robert Bechtle, Richard Estes, per la pittura, mentre per la scultura, nella quale spesso gli artisti ricorrono al calco di persone reali con effetti di verismo estremo, Duane Hanson . 3-10-2009 19:35, enxosan@hotmail.it -As usual it is not clear, or rather is not true that the hyper-realism born in the U.S., historical evidence of what they say lies in my production of these much-cited early seventies, the four Roman 1973-75, in Renato Guttoso (the teacher who turns into hyper-realistic thinking by including Dada and neo-realist elements in his works between the years 60 and 70). Then you need to create a cultural contact between Pasolini and perhaps implausible Mapplertorpe to better understand the "strange" phenomenon of which initially unconsciously or subconsciously better - there was a historical confirmation of the event which is always posthumous - I was a member and which were, in my personal gallery at the double lancet window of Pavia in 1978, described by critics as one official said of the leaders of current and please close the door which is better for all the air gets very cold. Enzo Sanfilippo http://sanphilip-gallery.blogspot.com/ Note: More detailed references are available at the Art Gallery Contemporary European (former New Gallery) led by Virgilio Anastasi, in Catania (near Sigonella). From: Artonweb
Sent: Saturday, October 03, 2009 9:02 PM
Subject: My question of art in hyperreality is not a demand and it is a correct answer. I confess to having ignored until a few minutes ago its existence.
I glanced through its web presence, at first glance it seems that the hyper-realism which I write in my article is not the same thing about her, at least in the substrate programmatic: Faced with
a substantial willingness to estrangement from an unacceptable situation that we find in
iperrealism American, I think I understand what she does instead in a specific cultural position
rather than personal. The paucity of documentation does not allow me to detect another.
Regards Arch. Vilma Torselli Sent: Sunday, October 04, 2009 11:24 PM
To: Artonweb -Dear colleague, as you surely know, we often isolate a little to reflect, and breathe air less toxic than that every day we live. My work could not be known by all and even historically seen that
many people of that time alas is dead. However, the relationship between elements that include
a line of thought, as in the case dell'iperrealismo are unfortunately the complexity difficult to
enumerate in a letter and what I'm trying to say can not be understood that some, not for lack
of enunciation nor for failure of the listener. As a line of thought is an abstraction from reality,
thus outside of the real-might be a fictional character in the virtual world and this condition is
due-surreal, metaphysical, etc.. Hyperrealism I said I do not think that means coming out from
the workshop of the can of peas or the tin of tomatoes, "anyone interested can ask anyone who
still is alive in those years what was meant 60/70 and is intended for hyper-realism, and believe
me not with joy or presumption that Parliament, were times of political struggle hard and great
historical marginalization. I do not disagree as not disputed, does not object as non-objective,
and I do not feel that any form of art or expression that makes me dumbfounded as is the
traveler to stay distracted, I do not think that contemporary art is over but it is sure that it is
subject to the economic measure as in the case of jars, or rather the contents of containers
without hyper-realists direct descendants of American pop art and New Dada,. Here in Sicily
liars culture we must be content to import from NATO bases and what I have always been close
is not among the least important and is called Sigonella. Cordially, Greek and Roman theater in
Catania, below, in this city is hidden a coffin will be exhumed when we know what the Greeks
thought of cloning and iperrealism. Ugh!
  
tiet-sin-qi-gong
http://gipsoteca.livejournal.com/
http://en.wikipedia.org/wiki/Ny_Carlsberg_Glyptotek
http://en.wikipedia.org/wiki/Glyptothek
http://glyptothek.blogspot.com/2009/10/glyptothek.html  GLIPTOTECA - Archivio di immagini da ricerche di antropologia, archeologia e etnologia. (Glyptothek - Archive of anthropology, arch. )
  .jpg) Gothic Revival
-From the train station of Catania and the premise that, for those who do not know, there was a cultural
movement is vertical or vertical, and that this movement is active and operates thirty-seven years. Then
he goes to the chimneys of the remains postmodern reactivation permanent exhibition space, here we
find an exhibition on three floors of medium and large size, almost all verticals, and is reminded of a
quote: -The transition between Gothic and late Middle Ages and the Renaissance was difficult and
characterized by Filippo Brunelleschi in the design of a machine, this one:
 "Brunelleschi's three-speed winch, designed by Leonardo."
Why Brunelleschi had built a machine with three-speed beach is quieted by picture:
.jpg) Filippo_Brunelleschi,_cutaway_of_the_Dome_of_Florence_Cathedral_(Santa_Maria_del_Fiore)
that aa little to do with this Gothic image:
 but on the second floor of the chimneys can be seen this artist:
.jpg)  Attilio Giordano, a blue earrings, a emerald ring and Michelangelo.
Nothing to drink and an immaculately catalog.
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